Taking better pictures

Apr 09
2010

Nine Keys To Taking Better Pictures

You can own the best camera equipment, but that can’t replace what is responsible for great photography – You! Anyone can shoot pictures, but what separates the average photographer and the elite is how you use the camera as a tool and how to use your creativity to share your unique vision.

Professional photographers have taken many years to practice and hone their skills before they were considered among the elite and capturing a subject’s character by projecting emotions and feelings. Below are nine key steps that should assist you in becoming the photographer that you want to be, but remember it takes constant practice:

1. Composition Is The Key

2. Subject

3. Context

4. Subject Placement

5. Lines & Paths

6. Backgrounds

7. Blurring

8. Lighting

9. Experiment

Composition Is The Key

Despite the technical talk, photography is an art form and its most important aspect is composition. To improve your art skills, find photos that you enjoy and ask yourself what exactly drew you to that photo. Once you understand composition and how it was used in those photos, you can go out and try some for yourself.

Subject

When taking a photograph, identify what the subject is. A simple answer of a person or an object is not the answer. You need to go a lot more in depth to identify the subject. Maybe it’s the curves of the body or crackling fixture of the building. What drew you to that “subject” in the first place? Generally, it is the same senses that gave you the sense of touch, smell, taste or feel.

I encourage you to take your time and study the subject before you shoot it. Then ask yourself what was it that appealed to you in the first place that made you want to shoot it. Two questions to also ask are “what is the purpose of this photograph?” and “what kind of reaction do I want my viewer to get from it?”

Context

The next step is to find context. Something such as a backdrop which can add relevance, contrast and/or location to the subject you are shooting. Another is to add depth by finding a context in a different spatial plane than the subject. For example, if the subject is a building and it’s in the background, then make the context a flower or person in the foreground. That would make a big difference in your photograph.

Subject Placement

The placement of your subject in the frame is important for your context. The weakest spot of the frame is in the center. It gives no value to the context as it can become dull. The more you move your subject away from the center, the more the impact on your context. So you would want to maneuver until you get the right balance. Each item has a “weight” and if not balanced in a frame, the photo can shift to one side of the frame.

Lines & Paths

Create an impact by using inferred or real lines, or paths, that can lead a viewer’s eye into and throughout the picture. Train tracks, roads, rivers, walking paths and fences are the most obvious choices, but there are also lines from the subject that are inferred leading to the context. Lines have subtle effects. Horizontal lines can be peaceful, diagonals can be tense or dynamic and curves can be sensuous, sexy and active. You can also connect lines, such as a triangle, within a path or shape. A picture should tell a story for the eyes to explore. Therefore, by providing a path, you allow your eyes action and a place to rest.

Backgrounds

A high quality portrait photo should have a passive background, one that does not take away the attention from the subject. A portrait photo is all about the person’s face and should be taken with a neutral background. A background that is comprised of soft, solid colors is a good background. A busy street or people moving are bad backgrounds to use.

Blurring

A great way to grab your viewer’s attention is by blurring the background. This is one way to allow them to focus on the object at hand, and not losing them between the object and the background. This will literally lift the object out of the photo and make it standout.

The technique to blur is an easy task. First, set your camera to a shallow depth of field. To do this, you can use a zoom lens and shoot from a shorter distance or with a wide aperture manual setting.

A face has many details, so the best place to focus is the eyes. The eyes tell a story as they convey emotions, feelings, and state of mind. Depending on the story you are trying to tell from the photo guide, your subject should look straight towards the camera or look to the side while focusing on another object.

Lighting

Whenever possible, use natural lighting as it is much better for capturing full color ranges and warmth of the skin. Take photos during the day outdoors and position the object so that the sunlight hits it from the side.

Dont shoot photos with sunlight directly in front of the object or it may result in overexposure and color distortion. You can use a fill-in flash to compensating some of the shadowing you may occur on the face, such as the nose area.

Experiment

It’s going to take time before you perfect your portrait shooting abilities. Using a digital camera, the cost of shooting photos is practically zero. Experiment as often as you can and then check your results often. Make any necessary adjustments until you get a sense of how to get those perfect quality portraits.

All in all, there are so many aspects to becoming a really great photographer. These nine keys are just a few for you to consider as you begin your journey in becoming the next great photographer. Good Luck!

Tips to better photography

Aug 26
2009

10 Tips To Better Photography

So you are a photographer, and yet you still want to get better at your craft. Taking great photos are not as difficult as you may think. You don’t always need the best equipment or have the most experience than other photographers, but just 10 easy tips and you will be on your way to great photographs.

  1. 1. Use All Your Available Space
  2. 2. Get Closer To Your Subject
  3. 3. Put Motion Into Your Pictures
  4. 4. Study Forms
  5. 5. Learn To Use Contrasts Between Colors
  6. 6. Continuous Shots
  7. 7. Shutter Lag
  8. 8. Ability To Pan
  9. 9. Take Fantastic Night Time Photography

10. Have Fun

Use All Your Available Space

Many photographers are afraid to fill their full space in fear of clutter, but don’t be afraid. Go ahead and takes shots with no or very little background, but try to keep distractions out. This is a great way to really understand what is in your view.

Get Closer To Your Subject

One of the biggest errors that photographers make is not getting closer to their subjects. Usually it is out of fear that the subject may be too close for any contrast. Get up close and take that shot. You can always resize it later and make it a better photo.

Put Motion Into Your Pictures

If your intent is to shoot a stationary object, then try to avoid any motion in your shot. If your are trying to be creative in a life of motion, then by all means, do what you can  do to capture that motion. Also, be aware of your horizontal line as you do not want to run it through the middle of your photo, try to keep it on the thirds.

Study Forms

This is a huge part of photography. Don’t view objects as objects, but rather as different shapes and forms and then shoot your photos from the best possible angle. Shooting different forms of an object will separate you from other photographers or from the average person that happens to have a camera.

Learn To Contrast Between Colors

Some of the best photos are when a subject has only one color focused on it, but when it is set up to be in contrast with other shades of colors is what gives it that highlight. Some of the best photos use the different shades of white, black and gray.

Continuous Shots

To take continuous shots, you will need a camera or an attachment that will allow you take this kind of photos. Having a continuous shot camera means you do not to stop and process after every shot. If you do have to process after every shot, it may mean the difference between getting boring or missed shots and getting “the shot.” Especially if you shoot any form of sports, a continuous camera is a must.

Shutter Lag

As mentioned in Continuous Shots, shooting actions shots with digital cameras can be difficult to shutter lag.  This means that when you press the button to shoot your picture, it may take a second or two to actually take the photo. By the time your camera is ready to take the next picture, your subject as already moved. You then have to anticipate your subject’s next move and hope you get your shot.

Ability To Pan

While taking action shots, know your shutter speeds. If your shutter speed is slow, pan along with the object. Start with the object and pan at the same speed it is going until you get the shot you want. Take several this way, because usually one shot will not capture what you were trying to achieve.

Take Fantastic Night Time Photography

If don’t right, night time shots can be fantastic! Yet at the same time, if done wrong, they can be a big mess. You will need adequate lighting, otherwise your shots will not turn out the way you want them too.

Have Fun

Most importantly, have fun shooting photos. Whether it is for recreation or for business, the trick is to have fun and continue to hone your skills by practicing over and over again. Also, try to be creative, whether it’s something someone had done before or try to create something new as the sky’s the limit.

So as you can see, shooting photography is not rocket science. You just want to keep it simple while you continue to learn all aspects of you camera and what it will allow you to do. Remember, your camera is only a tool used to capture your vision of an object, but only you can give that object, or scene, life.  So take your time, don’t get frustrated, study, practice and once again – have fun.

Traveling To Maui

Jul 27
2009

Home to one of the world’s most active volcanoes and the world’s tallest sea mountain. Birthplace of surfing and the hula. Former seat of a royal kingdom. Hawaii is one of the youngest geological formations in the world and the youngest state of the union. But perhaps Hawaii’s most unique feature is its Aloha Spirit: the warmth of the people of Hawaii that wonderfully complements the Islands’ perfect temperatures.

There are primarily six major islands to visit in Hawaii: Kauai, Oahu, Molokai, Lanai, Maui, and Hawaii’s Big island. You’ll find each island has its own distinct personality and offers its own adventures, activities, and sightseeing opportunities. We invite you to explore all of Hawaii to find the unique island experience for you.

  • Kauai’s incredible Waimea Canyon is 10 miles long, and one mile wide.
  • Duke Kahanamoku, the “Father of Modern Surfing,” grew up in Waikiki on Oahu.
  • The tallest sea cliffs in the world can be found on Molokai’s north side.
  • A hulking ship is still trapped in the waters of Shipwreck Beach on Lanai.
  • The crater of Haleakala on Maui is roughly the size of the island of Manhattan.
  • Kileaua Volcano in Hawaii Volcanoes National Park on Hawaii’s Big Island is the world’s most active volcano.

State Name:

Hawaii

State Nickname:

The Aloha State

Capital City:

Honolulu

Population:

1,262,840

Time Zone:

Hawaii Standard Time (GMT-10 hours), 5 hours behind the US East Coast, 6 hours behind during Daylight Saving Time (Hawaii does not observe Daylight Saving Time).

Languages:

English
Hawaiian

Currency:

US dollar. Credit cards are widely accepted. Traveler’s checks are accepted at many businesses.

Average Temperature:

April- November: 75˚-88˚ F.
December- March: 68˚-80˚ F.
Average water temperature: 74˚ F.

Area Code/Cell phones:

The area code for all of Hawaii is (808). Cell phone coverage on most Islands is readily available if you’re coming from the US. Check your carrier and calling plan for details.

Internet Access:

Internet access is readily available on most islands and at many hotels.

Accommodations:

Luxury resorts, hotels, bed and breakfasts, rental cottages and condos are located throughout the islands.

Transportation:

Transportation options include car rentals, tour buses, shuttles, taxis or city buses.

Clothing:

Dress casually. Bring a light jacket for nights. Bring semi-casual dress clothes or resort wear for restaurants and nightlife. Suits and ties are rarely worn.

Tipping:

U.S. standards apply: 15-20% on meals, at least $1 per bag for porters, and at least $1 per night for housekeeping.

Wedding music

Jul 06
2009

is just one of the many tasks leading up to your big day, and it can feel like an overwhelmingly important one. Music sets the mood, and really does a lot for the ceremony. Take a breath and tackle the choosing in pieces, based on the ceremony itself.

  1. Choose the Prelude Music: Choose music to provide for your guests as they’re being seated. The prelude leads up to the processional, and helps set a mood. Have up to 30 minutes of music, just to be on the safe side.
  2. Step 2

    Choose the Processional Music: The processional music should be different enough from the prelude music that it alerts the guests. Traditionally, the processional music is very similar to the music used for the bride’s entrance.

  3. Step 3

    Choose the Bride’s Entrance Music: We think of the bride’s entrance and we all have the same sounds playing in our mind; that da-dum-da-dummm sound is universal. Whether this is the music you want to use for the bride’s entrance or not, you get the idea. It should flow right from the processional music.

  4. Step 4

    Choose the Recessional Music: The recessional is when the bridal party is parting the room. This music should, again, be very close to the processional music but usually has a much lighter tone, a “happy ending” compared to the solemnity of the processional music.

  5. Step 5

    Choose the Interlude Music: Think of this as the reverse of the prelude. This is when all the guests are milling about, leaving the seating area.

  6. Step 6

    Try It Out: Before you get set on the music you’ve chosen, sit down and play your songs in order. Does everything flow nicely, without any abrupt changes of mood?