Wedding Photography Careers

Apr 29
2010

Wedding Photography Careers And What

You Need To Know

Part Three

As we ventured through the first set of lessons on wedding photography careers, you should now be getting a better understanding of this high demanding field. I invite you to continue learning the things you need to know on how to become a successful wedding photographer. Below you will find the next four steps on becoming that type of photographer.

1. Set your ISO to a slower speed, if circumstances will permit. This isn’t too big of an issue with digital SLR cameras, but is important for the point-and-shoot digital cameras, as they generally have tiny sensors that make them more prone to noise. A slower ISO speed, or lower number, makes for a less noisy photograph.

However, be aware as it will force you to use slower shutter speeds. This will restrict your ability to shoot photos of moving objects. If shooting still objects in good light, use the very slowest ISO speed that is available on your camera. This is also a good idea when shooting still subjects in low light when you are using your camera on a tripod or with a remote release.

2. Thoughtfully compose your shots. Before frame your photo in the viewfinder, frame the photo in your mind; get a vision of what you want to achieve with that shot. Consider the following, especially to the last one:

v Use the Rule of Thirds” technique by lining up the primary points of interest in your scene along the “third” lines. Try not to “cut the picture in half” with any lines, horizon or otherwise.

v Clean up clutter and distracting backgrounds. Even if this requires you and/or you’re subject to move a bit, therefore a tree does not show up appearing to grow out from their head. If you are getting any glare from such things as windows, then change your angle to avoid it. If you’re shooting vacation photos, have your family put down any items they may be holding or carrying as well. Consider those items as clutter and keep that clutter out of the frame of the photo. This will allow you to end up with much nicer and less cluttered pictures. If you have the ability to blur the background of a portrait, try it as it can be a great effect.

v Allow you’re subject to fill up the frame. Don’t be shy away from getting too close to your subject. However, if youre using a digital camera that contains a lot of megapixels, you can always crop the photo later in the software.

v Instead of shooting the object straight on, try to shoot on interesting angles. Shoot while you are looking down on to the object or try crouching and looking up at it. Pick an angle that will allow you a maximum color with minimum shadow. Try and make objects appear taller or longer than they really are (a low angle usually can make this happen). If you’re looking to shoot a bolder photo, it might be best to even yourself up with the object. You may also want to try and make the object appear smaller as if you are hovering over it. To achieve this effect you, simply put the camera above the object. Without question, uncommon angles make for some really interesting shots.

v Ignore the advice above. That’s right, I said to “ignore the advice above.” Regard the above as rules, which generally work most of the time, however they are always subject to interpretation, and not as strict rules. Sometimes rules are made to be broken and in this artistic field, to get that unique shot, you have to break the rules sometimes. Besides, if you adhere to them to much, it will only lead to boring photos

3. FOCUS YOUR LENS! Most photos are ruined due to poor focusing. If you have it, I highly recommend using the automatic focus on your camera. Generally, you can do this by half-pressing on the shutter button. Be sure to use the “macro” mode function on your camera for the really close-up shots. Unless you are having problems with your automatic focus, don’t focus manually. As with the metering, the automatic focus function generally will do a better job of focusing than you will.

4. Stay still. Most people come away surprised with how blurry their photos turn out when attempting to get a close-up or from shooting at a distance. To minimize blurring, assuming you’re using a full-sized camera with the use of a zoom lens, hold the camera body with your finger on the shutter button and with one hand hold the lens by cupping your other hand underneath it. Keep your elbows in close towards your body and brace yourself firmly. If your camera or lenses possess an image stabilization feature, I highly recommend you using it (this is known as IS on Canon gear, and VR, for Vibration Reduction, on Nikon equipment).

You are now ready to take the final step of these pointers in part four. Keep practicing, because we all know that practice makes perfect.


Wedding Photography Careers

Apr 27
2010

Wedding Photography Careers And What

You Need To Know


Part Two

As mentioned in part one of wedding photography careers, I receive e-mails or phone calls from aspiring or beginning wedding photographers asking me for advice on how to become successful in the wedding photo field. In Part One, I listed 13 of the very basics of what a wedding photographer will need to be successful.

Although those 13 steps will get you started, below you will read 7 additional steps to really get you to the top of your game, if you are willing to put in the additional work. With that being said, below you will find these steps for fulfilling your career in wedding photography.

1. Read the cameras manual. Learn what every control function, switch, button and menu item does or does not do. At minimum, you should learn how to zoom in and out, how to turn the on the flash, as well as the off and auto, how to zoom in and out and how to properly use the shutter button.

2. Be familiar with setting the resolution on the camera so that you can take high quality photos at the highest resolution available, as low-resolution images are generally more difficult to digitally alter. In addition, you will not be able to crop as much as you could using a higher-resolution version and still have something printable. If you are using a small memory card, replace it with a bigger one. If you do not want to or can not afford to buy a new one, then use the “fine” quality setting, with a smaller resolution, if your camera includes one.

3. Start by setting your camera to one of the automatic modes, if your camera gives you a choice. The most useful is “Program” or “P” mode on digital SLRs. Ignore advice which suggests that you operate your camera fully manual. In the last 50 years, advances in automatic focusing and metering have happened for a reason. If your photos come out poorly focused or exposed, you should then start operating these certain functions manually.

5. Get outside and motivate yourself to taking photographs in natural light. I suggest taking several normal ‘point and shoot’ photos so that you get a feel for the lighting; both at day and night and at different times. Go out during different stages of the day, especially during times that most people are not out, as you will get different forms of lighting at these times. Quite often you will get spectacular shots you never thought you would see as you may normally be sleeping at this time of day.

6. Keep your lens clear from obstructions such as caps, your thumbs and straps, as well as any other object. It is a basic rule of thumb, but it can ruin a photograph completely. This problem generally does not happen with modern live-preview digital cameras and you have an even less of a chance it happening with an SLR camera. However, people still have a tendency to make these mistakes every now and then.

7. Setting your white balance is an important aspect to good photography. The human eye automatically will compensate for different types of lighting, since white looks white to us in practically any kind of lighting. When using a digital camera, the camera generally compensates for this as it shifts the colors in a certain way. As an example, under tungsten (incandescent) lighting, the colors will shift towards blue to make up for the redness from this type of lighting.

The white balance is the most underused setting on today’s cameras and yet is perhaps the most critical. Be sure to learn how to set it and what all the various settings indicate. If you’re not under artificial lighting, the “Shade” (or “Cloudy”) setting is a good choice in many circumstances, as it will give you very warm-looking colors. If by chance it comes out too red, that can be very easily corrected later in the software. The “auto” function, which is the default function for most cameras, usually will do a good job, but sometimes may result in colors which are a bit cold and you don’t get the warmth you were looking for.

You are now ready to go to part three of this series. I hope you are able to take all of this in and are realizing that there is more to professional photography than just point and shoot.